The downsides of working late nights, or having a body clock that is so interchangeable is that you get to enjoy the absence of the daytime. A prospect I believe to be underrated. Not since my final year of university, a time when I didn't truly prosper from spending long arduous nights scraping together something tangible that could be titled an essay of sorts. That feeling of chasing the day and believing there isn't enough hours to go around, that i do not miss.
We are bound by nothing. No longer shall whispers be the strength of artistic depth, nor the hours spent dwelling on the romanticized ideals of the true artist. Photography, poems and scraps of paper. This is my blog.
Tuesday, 21 December 2010
Often left, to its peaceful best
The downsides of working late nights, or having a body clock that is so interchangeable is that you get to enjoy the absence of the daytime. A prospect I believe to be underrated. Not since my final year of university, a time when I didn't truly prosper from spending long arduous nights scraping together something tangible that could be titled an essay of sorts. That feeling of chasing the day and believing there isn't enough hours to go around, that i do not miss.
Saturday, 18 December 2010
Ennoble
Ennoble.
For a grasp or scope to see what happens in your head
Surely bets would be placed, far and wide
Nobody likes to view someone hurting inside
But you need a silk cushion soaked in spiritualism for your mind
The thinnest of ice
You have taunted so long
Your in-between falling
And already rising up
I can’t keep track of parameters I have set
Because you ran away with any toys we ever get
I turn my back on those who refuse to let in beauty.
That strangle out the grandeur of life,
And the lockets that capture the
Flames burning brightly from the hearts of the hopers
What do you know of pain?
Of problems?
Of loss?
Can’t you see that I’m who’s trying hard just to hold on?
When all I have is cheap thoughts
Cheap tightens on
That tightness makes me wheeze then I’m right back
Square one
I fight over possession because I posses no benefits
And as my grip on those gets weaker
I get weaker and so on
You never stop doing nothing
What a dangerous state
Perhaps an honour to your ferocity
Afraid to say this to your face
Is it testament to me?
To feelings,
Or to you
I can’t brush you under the carpet
Or flush you down the sink
Even after every casing point that I make
Can’t ignore a voice
You’re making a mistake
For to turn your back on someone is the worst thing you can do
Because it tastes so real when you imagine this is you
I realise now my time-spent casing highlights things to me
Carrying such heavy thoughts is necessary it’s obligatory
Because I know now I care about the welfare of you
This doesn’t mean I have a plan for making you see through
We never get the riddle book handed in our laps
With some Messiah and a biro who’s gone and filled in all the blanks
What we have is what we need
Its more simple than you think
Pour everything you feel onto paper using ink.
Thursday, 16 December 2010
Victorian Risque
Wednesday, 15 December 2010
The Morning Orchestra Photo-shoot
A series of photographs taken for Brighton-based folk/pop band The Morning Orchestra. Both on location around Kemp-town and also from their Basement sessions.
Escape & Discovery {in a modern day fairy-tale}
There can be two sides to a city; on one side people walk with their heads down, so used to the things they see everyday, unaware, that it is only the people that look beyond that reap the rewards of beauty and nature in an escape from a mundane reality. These little revelations are like personal secrets. Only your eyes see the magic in the ordinary. Only you can be enlightened by your own secret place. A secret place is one where you are free to be whatever you want to be, where you decide your actions and where, without this place, today would still be just the dust that settled from the day before.